Type:
Wall



Reference | Title | Grade | Length | Quality | Bolts | Gone | Natural pro | Link to edit content | ||
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Hex Arete | 19 | 12m |
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Chimney up the deep slot with the white-yellow slots. Place a friend in the upper one and swing up and out right to the holds and a slot for a bomber #6 hex. Move up and right to join Gone with the Wind. Next pro is a thread at the top of the arete. Committing.
John Chambers, 1996
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GW | Gone with the Wind | 18 |
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The Rred arete on the left of this wall.Start as for L.I.G bridging up to the ledge, climb the wall on right side of the arete. Limited pro
Lindsay Main '83
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LG | Let It Grow | 18 | 12m |
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The crack on the wall between two chimneys. Tackle the low bulge on the right, then up top wall. Protection just adequate.
Lindsay Main '83
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AB | Afghan Bandit | 20 |
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The arête right of L.I.G. started by climbing Skunk to ledge at 3m. Then climb straight up arête with spaced protection. (Snelder and Tweedie) Lindsay Main climbed left wall on first ascent.
Lindsay Main 1983
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Y | Yisturdie | 16 | 8m |
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A clean crack line on wall left side of skunk gully, discovered on guide book check. Quite good.
Ton Snelder (solo), 1985
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Skunk | 7 | 13m |
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The deep poxy chasm with a large root at the bottom. Also a descent route.
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SS | Sinking Ship | 15 | 12m |
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The wide crack just right of an arête 2m right of Skunk. Gross.
Lindsay Main, 1978
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SO | Social Ostracyte | 20 | 13m |
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The wall to right of Sinking Ship. Start up Sinking Ship to the bulge, place runners and move up right to bolt. Continue to top.
Roger Parkyn, 1984
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SOD | Social Ostracyte Direct | 24 | 14m |
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A direct start to Social Ostractye.
Peter Smale
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CT | Changing Times | 18 | 12m |
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Boulder tricky moves at bottom of thin crack,then easier top.
Merv English, 1982
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C | Crucifix | 21 | 12m |
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Starts up crack 2m left of Gooders Line and then proceeds up crux on bulging arête. Good protection, #2 friend and wires at crux. Top arête is scungy and unprotected.
Lindsay Main, 1983
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IB | Idol Boys | 23 | 12m |
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Direct line up the arete left of Gooders Line. Start under the prong (don't worry – the epoxy resin holding it in place seems to work), make powerful moves up to clip the first bolt, then swing around left (crux) to a good stance on the hanging slab. Move back right onto the arete and proceed up on good holds to another crux moving up past the third bolt to get established on the sloping prow. Then easily up to the belay. 3 bolts, double eyebolt belay.
Paul Jackson, John Chambers, 1997
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GL | Gooders Line | 16 | 14m |
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Prominent right facing corner, good technique avoids thrutching up the top offwidth looking section. The best of the early routes here. Good protection.
Ross Gooder, 1971
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R | Rubicon | 21 | 13m |
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Up the wall and through the bulgy wall and roof 2m right of Gooders Line. Good protection. Upper section gets dirty after rain.
Lindsay Main, 1983
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IT | It’s Tough at the Top | 20 | 13m |
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Start up the thin crack 3m right of Gooders Line. Move right to upper bulges and up to the top. Protection adequate (#1 ; #2 Friends).
Lindsy Main, 1983
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EM | Eight Million Years | 20 | 14m |
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Arete to the R of It's Tough at the top. It's a wonder it was left so long
Lindsay Main, 2000
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True Blue | 15 | 14m |
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The totally overgrown corner right of It’s Tough at the Top. Not the best.
Ross Gooder, 1971
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Velvet Prescribed | 21 |
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Start on small right facing corner to the left of DV. rock onto the face then up the groove to the right of the TB crack.
John Chambers 1992
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DV | Dumping Velvet | 19 |
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Climb directly up the wall using layways and one goodish hold 'til you reach the first bolt. Bridge up on easier ground to the 2nd bolt, then commit up the steeper, fingery wall. Above this holds improve – keep going (possible medium nut placement) 'til you reach a good ledge and the belay. 2 bolts, plus double ring belay station. Runout to the 1st bolt (watch you don't end up in the bushes) and above the 2nd bolt (the one wire comes somewhat too late) – not a sport route!
Joe Arts, 1983
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Gravy Train | 15 | 10m |
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Climb the arête right of Dumping Velvet. where the cliff turns a corner. Pretty ugly.
John McCallum (solo), 1978
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UUID:
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