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Pitch-1: Follow a rising traverse line leftwards up the centre of the curving slab just below the overlaps until the slab begins to steepen and a short vertical crack is reached. Follow the crack for a few moves until breaking out left again on small flakes and move up past a shaky block to a good belay on ledges near the left arete under overhangs.
Pitch 2: From the belay, traverse back right and then up into the obvious line of weakness to gain the upper wall. Make committing moves through the over-hanging flakes (crux) and then continue up to a left-facing dihedral corner (2nd crux). After this climb directly up easier ground to a ledge indicated by a overhanging finger of rock. Note: Don't sling or touch this as it has a very loose look to it! Belay at base of top head wall.
Pitch 3: Climb strenuously up the short steep crack directly above the belay. The crux is moving up past the overhanging bulge, thin on the feet. There is good gear in the crack but tiring to place. Continue on up over easy terrain to another outcrop. Follow the easy line on up to an obvious large boulder to belay.
Tic Tac Toe
A natural line of weakness connects the dots on this distinctive face to create an absorbing climb with three contrasting pitches of increasing difficulty. The route starts just right of the lowest point of the toe of the buttress at the right hand end of the buttress. Initially it follows a leftward-trending line up the centre of the obvious clean curving slab (easily identified from Tukino lodges) before breaking back rightwards where steep moves lead up the line of weakness through the overlap and onto the upper wall. It then continues directly up to finish the difficulties with a punchy short crack before easy ground leads up over another little bluff to belay at an obvious large boulder. Descent: Either walk off or rap from slings on a large boulder above the winter line of bowel wobbler (green line on image, 50m). Note there is loose rock on this rap line - take care when rapping and pulling ropes!
Sandy Britain, Richard Knott, Frances Watling, 6 February 2018